Issue 43.1 (Spring 2002)
Peter Wollen Who The Hell Is Howard Hawks?
Budd Boetticher Interview
Timothy Barnard The 'Machine Operator': Deus Ex Machina of the Storefront Cinema
Angela Dalle Vacche Asta Nielsen's Acting: Motion, Emotion, and the Camera-Eye
John Corner Biography Within the Documentary Frame: A Note
Terence Davies Illustrious Corpuscles
Vincent Porter Strangers on the Shore: The Contributions of French Novelists and Directors to British Cinema, 1946-1960
Brian Price Une femme douce and the Spectrum Of Revolt: Bresson's Transition to Color in the Aftermath of May '68
Peter Lehman and Susan Hunt Severed Heads and Severed Genitals: Violence in Dead Presidents
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