Issue 44.2 Fall 2003
Romanies and Cinematic Representation
Dina Iordanova Editorial
Anikó Imre Screen Gypsies
Edouard Chiline The Celluloid Drom: Romani Images in Russian Cinema
Robin Curtis The Stranger in a City Filled with Strangers: Moholy-Nagy’s Urban Gypsies
Yosefa Loshitzky Quintessential Strangers: The Representation of Romanies and Jews in Some Holocaust Films
Susan Tebbutt Between Distance and Proximity: Film Images and After-Images of the Genocide of the Romanies
Anat Zanger Desire Ltd: Romanies, Women, and Other Smugglers in Carmen
Jasmine Dellal Romani Images: A Film Director’s Diary
Reviews: Romani-Themed Films
Nevena Dakovic Skupljai perja / I Even Met Happy Gypsies
Ljudmila Cvikova Ruovésny / Pink-tainted Dreams
Vladislav Miji Ko To Tamo Peva / Who Is Singing Over There?
Carrie Tarr Les Princes / The Princes
David Altheer Angelo My Love
Ewa Mazierska Diably, Diably / Devil, Devils
Laura Rascaroli Un’anima Divisa In Due / A Soul Divided in Two
Palma Zlateva Tchernata Lyastovitsa / The Black Swallow
Gene Walz The Gypsies of Svinia
David Altheer American Gypsy
Filmography: Romani Films
Book Reviews