Issue 46.1 (Spring 2005)
Sally Shafto Myth and Narration in Godard’s Hélas pour moi
Scott MacDonald Collection/Recollection: An Interview with Matthias Müller
Dossier on Cinephilia and Women’s Cinema in the 1920s
Rosanna Maule and Catherine Russell Another Cinephilia: Women’s Cinema in the 1920s
Paula Amad Objects Become Witnesses: Ève Francis and the Emergence of French Cinephilia and Criticism
Amelie Hastie Historical Predictions, Contemporary Predilections: Reading Feminist Theory Close Up
Haidee Wasson Mobilizing the Museum: Film at the Metropolitan Museum of Art in the 1920s
Jennifer Wild An Artist’s Hands: Stella Simon, Modernist Synthesis, and Narrative Resistance
Tom Gunning Light, Motion, Cinema!: The Heritage of Loïe Fuller and Germaine Dulac