Issue 49.1 (Spring 2008)
Philippa Gates The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of The Maltese Falcon
TRIBUTES
Kwate Nee Owoo The Language of Real Life: Interview with Ousmane Sembène
Samba Gadjigo Art for Man’s Sake: A Tribute to Ousmane Sembène
Astrid Söderbergh Widding A Full Integration with Film History: A Tribute to Ingmar Bergman
Laura Rascaroli and John David Rhodes Antonioni and the Place of Modernity: A Tribute
DOSSIER ON MORPHING REALITIES: The Current Status of the Real in Film and Television
Nitzan Ben Shaul Introduction
Michael Renov Family Secrets: Alan Berliner’s Nobody’s Business and the (American) Jewish Autobiographical Film
Jérôme Bourdon Self-Despotism: Reality Television and the New Subject of Politics
Yael Munk The Postcolonial Function of Television’s Virtual Space in ’90s Israeli Cinema
Raz Yosef Phantasmatic Losses: National Traumas, Masculinity, and Primal Scenes in Israeli Cinema—Walk on Water
Thomas Elsaesser Absence as Presence, Presence as Parapraxis: On Some Problems of Representing “Jews” in the New German Cinema
Raya Morag Chronic Trauma, the Sound of Terror, and Current Israeli Cinema
Nurith Gertz and Gal Hermoni History's Broken Wings: "Narrative Paralysis" as Resistance to History in Amos Gitai's Film Kedma
REVIEWS
Book Review
New York Film Festival