
Contents for 52.1
Edited by Drake Stutesman, Paul Cronin, and James Riley
Editorial
Peter Whitehead Chronology
Peter Whitehead “The Wanderer,” Part 1DOSSIER: Early Film
Henry Miller Peter Whitehead: The Slade Years
Peter Whitehead Early Film Documents
The Theft, 12 min. Film Treatment, 1963
One of the Last Fragments
Images, 12 min. Film Treatment, 1963
Parallelism
from ‘New Formal Structures in the Cinema’
from Notebook 11: Commenced January, 1964
James Leo Cahill Hors d’œuvre / Science, the Short Film, and The Perception of Life
Catherine Zimmer Peter Whitehead’s The Perception of Life and the Biological Aesthetic
The Perception of Life Documents
Notes on the Medical Research Council Unit
The Nuffield Foundation Unit for the History of Ideas Documents
The Perception of Life, 1964, précis
The Guardian, review of The Perception of Life, 1964
The Times, review of The Perception of Life, 1964
Daniel Kane Wholly Communion, Literary Nationalism, and the Sorrows of the Counterculture
Mark Donnelly Wholly Communion: Truths, Histories and the Albert Hall Poetry Reading
Wholly Communion Advertisement for Lorrimer book
David Sterritt Wholly Communion: Scenario, Film, Novelization
Peter Whitehead Notes on Wholly Communion Filming
Raymond Durgnat Wholly Communion Review, 1966
DOSSIER: Rolling StonesVictor Coelho Through the Lens, Darkly: Peter Whitehead and the Rolling Stones
Charlie is My Darling press release
Charlie Is My Darling Review, Variety, 1966
Peter Whitehead Letters to Andrew Oldham
Peter Whitehead Two Film Treatments: ‘Proposal’ and Mein Kampf
Writer’s Guild registration
Orpheus Inc., treatment
Robin Bean Charlie Is My Darling Review, 1966
DOSSIER: Whitehead Film ReviewsPeter Whitehead Film and Filming Reviews, 1966–1969
DOSSIER: Tonite Let’s All Make Love in LondonSteve Chibnall Standing in the Shadow: Peter Whitehead, Swinging London’s Insider-Outsider
Kevin M. Flanagan Whitehead’s London: Pop and the Ascendant Celebrity
Thomas F. Cohen Other Than Vérité: Sound and Moving Image
Thomas F. Cohen In the Rock Music Documentaries of Peter Whitehead
Tonite, New York Film Festival press release
Ray Durgnat Tonite Let’s All Make Love in London Review, 1968
Tonite Let’s All Make Love in London Review, Variety, 1967
National Film Finance letter on Tonite, 1967
Solicitor letter on Tonite, 1967
DOSSIER: Benefit of the DoubtMichael Chanan Shooting Star: Peter Whitehead and 1960s documentarys
Peter Whitehead On In de pen dence/“More Problems than Solutions”
Interview with Peter Whitehead
Jean d’Yvoire An Excellent Lesson in Partisan Theater, 1968
Nicole Zand Benefit of the Doubt Review, 1965
Benefit of the Doubt Review, Variety, 1967
DOSSIER: LorrimerPeter Whitehead Letters to Lawrence Ferlinghetti, 1965
Lawrence Ferlinghetti Letters to Peter Whitehead, 1965
Thorold Dickinson Letter to Peter Whitehead, 1966
Peter Whitehead Letter to Thorold Dickinson, 1966
Advertisement for Lorrimer Books
Sheridan Morley Wholly Review, Lorrimer Series Review, 1966
DOSSIER: GodardNicole Brenez “The ultimate victims of the Romantic Dream”
Peter Whitehead Jean- Luc: I Hate You!/Godard Reviews, 1966– 1969
Contract with Godard for Alphaville
Peter Whitehead The Warsaw Ghetto
Giandomenico Curi Re-Creating The Gaze: Peter Whitehead’s Cinema and the Films of Others
DOSSIER: The FallTina RiversFrom Alienation to Hallucination: Peter Whitehead’s The Fall and the Politics of Perception in the 1960s
Jeremy Varon After the Fall: Politics, Representation, and the Permanence of Empire in the Cinema of Peter Whitehead
Marjorie Rosen Peter Whitehead’s The Fall Revisited
New York Film Festival Invitation Letter
Peter Whitehead Protest and The Fall film treatments
Second Take of Imaginary Narration
Manifesto: Re Self in Film
John Lyle The Inner Space Project, 1970
Peter Whitehead I Destroy Therefore I Am, 1969/I Dream Therefore I Am. I Doubt Therefore I Film, 2002

Contents for 52.2
Edited by Drake Stutesman, Paul Cronin, and James Riley
Peter Whitehead “The Wanderer,” Part 2DOSSIER: Incomplete Projects
Drake Stutesman Whitehead, Djuna Barnes, and Freud’s Dora: Introduction to Two Treatments
Peter Whitehead Dora / Cassation
DOSSIER: DaddyPeter Whitehead Dear Diana, film treatment for Daddy, 1972
Daddy synopsis, 1972
Laura Mulvey
Daddy Introduction to Film Screening
Daddy: The Subversive Potential Of An Aesthetic Of Masochism
Molly Haskell Daddy review, Village Voice, 1973
Daddy revisited
Isabelle Jordan Cinema and Sovereign Powers: About Daddy, 1974
Joanna Bourke Peter Whitehead and Niki de Saint Phalle’s Daddy
Peter Whitehead Notes on Daddy
Letter to Niki de Saint Phalle, 1974
Laura Rascaroli Burning Passions, Flammable Decade: Cinema, Avant-Garde, Self and Society in The Fire in the Water(1977)
Peter Whitehead Requiem for the Sixties, 1974
DOSSIER: Archiving Peter WhiteheadWilliam Fowler Memory Material and Material Memory: the film archive of Peter Whitehead
Peter Whitehead “The Wanderer,” Part 3DOSSIER: Falcon
Contract, 1975
Patricia Abercrombie-Little Return of the Hunter, 1988
Peter Whitehead Oedipus, King of the Falcons
Aurora
Tiresias
“White Clouds,” 1988
Falcon: Image Montage
DOSSIER: Fiction
James Riley The Technology of Myth: Peter Whitehead as Novelist
Mark Jones Sex Spy: Sexuality and the Revolution In Peter Whitehead’s Post-Sixties Works
Jan B. Gordon The ‘Janus Interface’: A Meditation on the Cosmology of Peter Whitehead
Peter Whitehead ‘Callanish’
Extract from Nora…
Extract from The Risen
Extract from Night trip
Peter Whitehead In the Beginning Was the Image . . .
On Terrorism Considered as One of the Fine Arts
James Riley Peter Whitehead and Terrorism
Peter Whitehead Extracts from Terrorism Considered as One of the Fine Arts screenplay
DOSSIER: PotteryPeter Whitehead Going to Pot
Michael O’Brien Peter Whitehead’s Pottery
Peter Whitehead Seeing through Stone: Image Montage
BIBLIOGRAPHY
FILMOGRAPHY