1:1974

Cinema and Poland – Michael Parker
On Francois Truffant – Paul Nightingale
On Gianfranco Bettetini – Don Ranvaud
Theatre and Shakespearean Film – Tony Howard
Peckinpah and the Epic – Ron Rose
L’Union fait la force: Critical Theories of Film – Marion Doyen

Interviews
Alan Renais (France) – interviewed by Don Ranvaud
Robin Wood (UK) – Jenny Norman and Eliz Aherne

2:1975

On Liliana Cavani – Gian Carlo Castelli
Lina Wertmuller – Gian Carlo Castelli
On Marco Ferreri – Gino Buscaglia
Neorealism – Gianfranco Bettetini
The Ambiguous Forms of Narrative Reality – Pier Paolo Pasolini
Why Custer at the ‘Halles’ in Paris 1973 – Marco Ferreri
The International Convention of Women in the Cinema – Vicky Weatherstone

Interviews
Bernardo Bertolucci (Italy) – Carlo Tagliabue
Bernardo Bertolucci (Italy) – Francesco Casetti

3:1975

Living Historically: Two Films by Jean-Luc Godard – Andrew Britton
Il Rema – Pier Paolo Pasolini
Tabella – Pier Paolo Pasolini
Accatone Today – Pier Paolo Pasolini
Why Being Rather than Nothing? – Werner Herzog

Interviews
Bernardo Bertolucci (Italy) – Carlo Tagliabue
Marco Bellocchoi (Italy) – Robert Schar
Krystztof Zanussi (Poland) – Don Ranvaud
Sohrab Shahid Saless (Iran) – Don Ranvaud

4:1976

Reality and the Photographic Image – Deborah Thomas
Debate: Psychoanalysis and Film (1) – Stephen Crofts
Why Ophul? – Collective text
Pursued: a reply to Paul Willemen – Andrew Britton
The Reckless Moment – Collective Text
Family in Reckless Moment – Collective text
Jaws, Ideology and Film Theory – Stephen Heath

5:1976/1977

River of No Return – Don Ranvaud
To Be Or Not To Be – Shelia Whitaker
Douglas Sirk – Steve Neale
On Billy Wilder – James McCourt
Unamerican Inclinations of Ford and Peckinpah – Brian Taylor
One Flew Over the Cuckoo’s Nest – Reynold Humphries and Genevieve Suzzoni
Entertainment in the Medieval Ghetto – Clive Gardner

Interview
Michael Ritchie (USA) – Don Ranvaud

6:1977

Japanese Independents—Govaers, Matsumoto, Yoshida – Shelia Whitaker
The Syberberg Statement (a dossier) – Andrew Britton
Comolli: Theory and Practice—La Cecelia – Don Ranvaud
Reflections on the Audience – Colin McArthur
Sexuality and Power or the Two Others – Andrew Briton

Framework Festival at University of Warwick in March 1977:
Meeting of international film journals /+ films screened. Attending:
France: Cahiers du Cinema, Cinefantastique, Positif; USA: Film Reader, JumpCut; Italy: Cinema Sessanta; UK: Film Form, Tribune, Montage, Rough Cut

7/8:1978

Casanova – Gay Clifford
Eisenstein and Ideology – Stephen Crofts
Sexuality and Power – Andrew Briton

African Dossier
Les Bricot Negres Prologue – Med Hondo
Nous aurons toute la morte (pour domir) – Med Hondo

Archeology
The Nickelodeon Era Begins: Establishing Framework for Hollywood’s Mode of Representation — 22/23:1983 – Charles Musser
Excavating Porter: A Review of Before the Nickelodeon — Richard Allen

Interviews
Med Hondo (Mauritania) – Don Ranvaud
Ousmane Sembene (Senegal) – Ulrich Gregor
Haile Germina (Ethiopia) – Paul Willemen

9:1978/1979

Nous aurons (Med Hondo) – Don Ranvaud
Black Narcissus – Michael Walker
It Always Rains on Sunday (Part II) – Shelia Whitaker
The Moment of It Always Rains on Sunday – Gerry Turvey
London Filmmaker’s Co-op – Annabel Nicholson
Constructions of Reality—Traditions of Independence in British Cinema – Don Mc Pherson
Movie Crazy or the Man(iac) with the Movie Camera (on Peeping Tom) – Raymond Durgnat
Brook’s Remarkable Men – Don Ranvaud
Star Wars – SEFT Manchester Discussion Group

Archeology
The Future of Cinema – André Antoine
André Antoine’s Film Theory – Stuart Liebman

Interview
Laura Mulvey and Peter Wollen (UK) – Don Ranvaud
Karel Reiz (UK) – Shelia Whitaker
Jack Gold (UK) – Shelia Whitaker

10:1979

The Chilean Cinema in Exile – Peter B. Schuman
La Batalla de Chile—El Golpe – Patricio Guzman
Language and Popular Culture – Jorge Sanjines
Cuban Images: Some Notes – Michael Chanan
Grease – SEFT Manchester Discussion Group
Feminism, Film and the Avant Garde – Laura Mulvey

Rossellini: Dossier
Rossellini 1 – Don Ranvaud
Rossellini 2—and the Critics – Geoffery Nowell-Smith
Rossellini 3—on his Originality – Edoardo Bruno


Archeology
The Infringement of Copyright Laws and Its Effects (1900-1906) – André Gaudreault

Interviews
Raul Ruiz (Chile) – Don Ranvaud
Pastor Vega (Cuba) – Don Ranvaud
Humberto Solas (Cuba) – John King
Gutierrez Aléa (Cuba) – Gerado Chijona
Fernando Solas (Argentina) — 10:1997 – Don Ranvaud

11:1979

The Documentary
Joris Ivens and the Problems of Documentary Film – Bert Hodenkamp
Five Faces of Vertov – Jean Rouch
On Rossellini – Jean Rouch
Summing Up – Roberto Rossellini
On Marx: Ideas Towards a film about Marx – Roberto Rossellini

That Part of Cinema called Television
Channel Four and Independence – Independent Filmmakers Association
An Assessment of Television – Jean-François Lyotard

Hollywood Corner
Re-writing History: notes on The Deer Hunter – Reynold Humphries

Four West African Filmmakers Round Table Discussion on ‘Cinema: Art Form or Political Weapon’ – Samba Felix N’Diaye and Kwate Nee-Owoo
Fernando Solanas, Bertrand Tavernier, René Vautier and Guy Hennebelle Round Table Discussion
What is Cinema for Us? – Med Hondo
West Indies Story (J’ai deux amours) – Ben Gibson

Latin America Part II
Humberto Mauro and the Historical Position of Brazilian Cinema – Glauber Rocha
Hunger Aesthetics versus Profit Aesthetics – Glauber Rocha
La Batalla de Chile (III) – Patricio Guzman

Archeology
Ycham discoursing on cinema: France 1912 — 31/32:1986 – Richard Abel
‘Cinematography’, Ciné-Journal 20 April–11 May 1912 — 31/32:1986 – Ycham

Interviews
Soulemane Cissé (Mali)
Safi Faye (Senegal) – Angela Martin
Jean Rouch (France) – J-P Oudart and Yann Lardeau

12:1980

Glauber Rocha: An Introduction – Sergio Toledo Segall and Robert Gervits
History of Cinema Novo – Glauber Rocha
Disavowal of Class Conflict in Murder by Decree – Reynold Humphries
Masochism and Subjectivity – Kaja Silverman
Hollycau$t—Inquiry into Holocaust – Edgar Reitz (and Andrée Tournes)
Holocaust is not a Film – P Fleischman and Andrée Tournes
Form is Morality: Holocaust – Hans-Jurgen Syberberg
Rotterdam Conference: Are You Coming Through? – Leonard Henny
Berger’s Animal’s: Berger’s Canrnival of Animals – Alison Beale

Framework Festival at Norwich (1980) ‘British Cinema in the Eighties’

Interviews
Shyam Bengal (India) – Behroze Gandhy
Orlando Senna (Brazil) – Don Ranvaud
Marco Ferrei (Italy) – Gino Buscaglia, Don Ranvaud, Carlo Tagliabue

13:1980

East Anglian Film Archive – David Cleveland
Sunday Too Far Away and Born—Again Cinema – Noel King
Hybrid Plots in Psycho – Peter Wollen
Vertigo: The Secret of the Tower – Jürgen Ebert
Rebecca – Don Ranvaud
Introduction: Place in the Cinema – Peter Wollen
Sauve qui peut...Godard! Fragments – Jean-Paul Godard
Mark Rappaport on Place – Mark Rappaport
James Benning on Place – James Benning

Archeology
The Birth of the Sixth Art—1911 – Ricciotto Canudo

Interviews
Stanton Kaye (USA) – Don Ranvaud
James Benning (USA) – Jon Jost
Jon Jost (USA) – Don Ranvaud
Eagle Pennell (USA) – Jon Jost
Jean-Paul Godard (France) – Don Ranvaud

14:1981

Apocalypse Now viewed by a Vietnamese – Nyguyen Khac Vien
Youssef Chahine and the Egyptian Cinema – Roy Armes
The Limits of Individual Action (on Yilmaz Guney) – Roy Armes
Male Subjectivity and the Celestial Suture: It’s a Wonderful Life – Kaja Silverman
Halloween: Suspense, Aggression and the Look – Steve Neale
It’s Only a Film/ La face du néant – Pascal Bonitzer
Trying to Remember an Afternoon with Raul Walsh – Jon Halliday
Anthony Mann: Looking at the Male – Paul Willemen
Pod-Persons and Sign Systems – Charles Barr
Film/Criticism/ Film Education – Philip Simpson
Kevin Brownlow’s Hollywood and Film Theory – James Leahy
The Avant-Gardes: Europe and America – Peter Wollen
The Classic TV Detective Genre – Mike Westlake
History Man: Sounds and Images of Academe – Terence Hawkes
Dallas Part I – Gillian Swanson

Archeology
Thoughts on an Aesthetic for the Cinema—1913 – Georg Lukacs

Interviews
Youssef Chahine (Egypt) – Andrée Tournes
Sally Potter (UK) – Valentina Agostinis
Andrei Tarkofsky (Russia) – Ian Christie

15/16/17:1981
Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ Inspired by Duel in the Sun – Laura Mulvey
Yilmaz Guney: The Limits of Individual Action – Roy Armes
Heroic Fatality and Visual Delirium: Raw Deal and the Film Noir – Frank Krutnik
Window Dressing: A Poster Competition for Dressed to Kill – Tony Brynat and Griselda Pollack
All this... and Superman Too – Ben Gibson
(script) Freud’s Dora: A Case of Mistaken Identity – Jay St Collective
Dallas Part II – Gillian Swanson
The Spanish Coup as Representation – Contracampo
Video Report – Paul Willemen

Archeology
Kinema—1908 – Vaclav Tille

Interview
Anthony Mann (USA) – Jean-Claude Missiaen
Yilmaz Guney (Turkey)

18:1982
18
So That You Can Live (for Shirley) – Michael Chanan
Police Taped – John Wyver
Introduction – Philip Simpson
How Can You Take Film Seriously – Christopher Frayling
Questions of Psychoanalysis—Questions of Heath – David Will
Escape Route to Marseilles (1) – Ingemo Engstrom/ Gerhard Theuring
Presentation – Steve Neale
Postscript – Paul Willemen
Selections from ‘The Cinema Academy"’ – Olivier Assayas

Archeology
Introduction – Ian Christie
1913–1927 Film and Theatre – Vladamir Mayakovsky

Interview
Ken Loach (UK) – Julian Petley

19:1982
So That You Can Live: Popular Memory – Claire Johnston
So That You Can Live: A Welsh Response – Derrick Price
A detour ‘round’ So That You Can Live – Marc Karlin
Raiders of the Lost Ark – Steve Neal
Escape Route to Marseilles (2) – Engstrom/Theuring
Introduction: on Sam Fuller – David Will
‘Tough Nuts to Crack:’ Fuller’s Shock Corridor – Ronnie Scheib
The White Dog Talks—To Sam Fuller – Sam Fuller (USA)

Archeology
The Aesthetics, The Obstacles, Integral Cinegraphie—1927 – Germaine Dulac
Introduction to ‘Integral Cinegraphie’ (1927) – Stuart Liebmann

Interviews
Sam Fuller (USA) – Don Ranvaud
Iain Bruce and Nick Dubrule (UK) – Peter Todd
Laura Mulvey and Peter Wollen (UK) – Fizzy Oppé and Don Ranvaud

20:1983

Brownlow’s Gance – Richard Philpott
Mersault Goes West: Five Easy Pieces and Art Cinema – Noel King
King Blank: Response to by Karyn Kay – Michael Oblowitz
Splits: Changing the Fantasmatic Scene – Kaja Silverman
Splits: The Script – Leandro Katz
A Metabolic View – Thomas Elsaesser
Obituary for Rainer Werner Fassbinder – Douglas Sirk

Archeology
Introduction – Ann Friedberg
Continuous Performance: The Film Gone Male – Dorothy Richardson

Interviews
Wayne Wang (USA) – Peter Todd
Beth and Scott B (USA) – Scott McDonald

21:1983
Godard’s Passion
Passion 1. – Peter Wollen
Passion 2. – Rod Stoneman
Passion 3. – Paul Willemen
An Unsuitable Job for a Man? – Rosemary Jackson
New York Super-8 filmmakers: An Introduction – Karyn Kay

Archeology
Slavko Vorkapich: A Hollywood Extra (1927)—The First of the Independents or How Hollywood Extra Was Made – Bozidar Zecevic
The Life and Death of 9431—A Hollywood Extra – Richard Allen
Script: A Hollywood Extra – Richard Allen

Interviews
Jean-Luc Godard (France) – Don Ranvaud and Alberto Farassino
Edgardo Cozarinsky – Thomas Elsaesser
Anand Patwardhan (India) – Behroze Gandhy
Betsey Sussler (USA) – Karyn Kay
Adam Brooks (USA) – Karyn Kay
Tim Burns (USA) – Karyn Kay and Louis Walthall
Robert Nelson (USA) – Scott MacDonald
Aaron Lipstadt (USA) – Jim Hillier
Jan Worth and Annie Brown (UK) – Sylvia Harvey

22/23:1983

Gandiana and Gandhiology – Ashish Rajadhyaska
Oh What a Lovely War – Tom Nairn
Tomato Ketchup/Passion Fruit: Variations on Japanese Independants
– Lesley Stern
Presentation – Paul Willemen
Australian Film Culture: Dossier
The Australian State: A National Cinema – Sam Rohdie
Australian Filmmaking: Its Public Circulation – Tom O’Regan
‘Typical Aussies’: Television and Popularism in Australia – Noel King and Tim Rowse
A State Capitalist Venture: The Southern Australian Film Corporation – Albert Moran
Camera Natura: Landscape in Australian Feature Films – Ross Gibon
Indigestion: The Practice of Reviewing – Meaghan Morris
Frozen Music (resistence and memory) – Mick Eaton
Photographing the Poor and Working Class – Derrick Price
Cable TV: A Proposal – Rob Burkitt
ARCHEOLOGY
The Nickelodeon Era Begins: Establishing Framework for Hollywood’s Mode of
Representation – Charles Musser
Excavating Porter: A Review of Before the Nickelodeon – Richard Allen
INTERVIEWS
Gianni Amelio (Italy) – Philip Schlesinger
Katsue Tomiyama (Japan) – Lesley Stern

24:1984

Filmnews – Jan McSweeney
The Australian Journal of Screen Theory – Felicity Collins
Serious Undertakings—Deconstructions, Demolitions – Sylvia Lawson
Serious Undertakings: Release Script – Helen Grace and Erika Addis
King of Comedy: A Crisis of Substitution – Beverle Houston
An Avant Garde for the Eighties – Paul Willemen

Archeology
The Future of Cinema – André Antoine
André Antoine’s Film Theory – Stuart Liebman

Interview
Sally Potter (UK) – Pam Cook

25:1984

The Seventh Goddess – Bui Phui
The Vietnamese Cinema from its Origins to 1945 – Pham Nyoc Trong
Brecht the Realist and New German Cinema – Roswitha Muella
A Guide to Neo-Television – Umberto Eco
Stars Get In Your Eyes – Kevin Rockett
Scotland’s Story – Colin McArthur
Stranger’s Kiss – David Will

Interviews
Merata Mita (New Zeland) – Pacale Lamche
Jon Jost (USA) – Pascale Lamche

26/27:1985

El Norte – Richard Allen
The Tightrope of Male Fantasy – Ron Burnett
Heimat: Approaches to a Word and a Film – Martin Chalmers
Ireland: The Propaganda War – Paul Madden

Interviews
Issac Julien (UK) – Jim Pines
Michelle and Armand Mattelart – Paul Willemen
Diego Risques – David Will
Pat Murphy – David Will
Nagisa Oshima (Japan) – Shinko Suga

28:1985

Brazil—Post Cinema Novo: Special Issue
A New Actor: The State – Jean Claude Bernarde
Parody and marginality – João Luiz Viera and Robert Stam

Special focus on Carlos Reichenbach
Amor Palavra Prostituta – João Carlos Rodrigues
O Imperio do desejo – Jairo Ferreira

Ana Carolina Teixeira Soares
Mar de rosas: Critical Dossier – Simon Hartog
Das tripas Coração — 28: 1985 – João Carlos Rodrigues

Carlos Alberto Prates Correia
Perdida (1) – Pola Vartuk
Perdida (2) – Sylvio Back
Cabarét Mineiro: A Synopsis – Carlos Alberto Prates Correia
Cabarét Mineiro (review) – Servulo Siqueira

Julio Bressane
On Sound – Juilo Bressane
Julio Bressane — 28: 1985 – Jairo Ferreira

João Callegaro
O Pornografo — 28: 1985 – Jairo Ferreira

Ozualdo Candeias
A Margem – Jairo Ferreira

Andrea Tonacci
Bangue Bangue

Zé do Caixão and Mojica: In the Garden of Delights – Jairo Ferreira
Brazilian Independents: Some Background Notes – Claudio Solano
Chronicle of Brazilian Cinema – Paul Willemen

Interviews
Carlos Reichenbach (Brazil) – Simon Hartog
Murilo Salles (Brazil) – Servulo Siqueira

29:1985
Acting Tapes – Mark Nash and James Swinson
A Desk Between Two Borders – Lizbeth Malkmus
Japan: Avant Garde of the Future – Lesley Stern
Parody and Marginality: The Case of Brazilian Cinema – João Luiz Viera and Robert Stam
Presentation on Gitai – Paul Willemen
Chahine on Gitai – Yousseff Chahine
Ananas – David Lusted
Celebration of the Israeli Race – Ygal Tomarkin
Bangkok Bahrain – Mick Eaton

Archeology
The Infringement of Copyright Laws and Its Effects (1900–1906) – André Gaudreault

Interviews
Merzak Allouache (Algeria) – Lizbeth Malkmus
Nelson Pereira dos Santos (Brazil) – Richard Peña
Amos Gitai (Israel) – Roger Buck, Nick Dubrule, and Peter Todd

30/31:1986

The Passion of Rembrance: Background – Martine Attille (SANKOFA)
Children at War: Films By Gubenko Evtushenko – Nancy Condee and Vladimir Padunov
The Polish Balance Sheet – Jerzy Plazewski
The Politics of Silence: Anne Devlin, Women and Irish Cinema – Luke Gibbons
Introduction to Kumar Shahani’s Essays – Ashish Rajadhyksha
The Sentimental Age: Chauvel, Melodrama, Nationality – Stuart Cunnigham
Pausing Over Peripheral Detail – Roger Cardial
Postscript: Terms for a Debate – Paul Willemen
Reading the Visual – Anne Freeman

Kumar Shahani: Dossier
Myths for Sale – Kumar Shahani
Invocation – Kumar Shahani
The Media Police – Kumar Shahani
Notes for an Aesthetic of Film Sound – Kumar Shahani
Ideologial Ironies – Kumar Shahani

Interviews
SANKOFA (UK) – Jim Pines
Anand Patwardhan (India) – Sean Cubitt

32/33:1986

Contextualising Rocinante – Alison Butler
Notes on Rocinate – Paul Willemen
The Akasaka Connection The Tokyo Film Festival and New Japanese Cinema – Don Ranvaud
One From the Heart – Serge Daney
The Forbidden Zoom – Serge Daney
Politics Now (Anxieties over a petit-bourgeois intellectual) – Meaghan Morris
Neo-Traditonalism—Film as Popular Art In India – Ashish Rajadhyaksta
Melodramtic Performance Signs – Susan Roberts
Uncanny Feminism: The Exquisite Corpses of Cecilia Conduit – Patricia Mellencamp
The Loss of Visions: An Interview – Paul Willemen
Open the Box – Susan Boyd-Bowman

Archeology
Ycham discoursing on cinema: France 1912 – Richard Abel
‘Cinematography’, Ciné-Journal 20 April–11 May 1912 – Ycham

Interview
Frank Abbott (UK) – Sean Cubitt

34:1987

Recharting Soviet Cultural History – Nancy Condee and Vladimir Padunov
Chilean Cinema in Exile (1973–1986) – Zusana M Pick
Notes and Reflections (on Third Cinema Question) – Paul Willemen

35:1988

Presentation: Letter to an Actress – Ashish Rajadhyksha
Letter to an Actress – Rustom Bharucha
Peter Brook’s Mahabharata – Rustom Bharucha
Moving Beyond the Source: K.K. Mahajan, Cinematographer – Ashish Rajadhyksha
Some Background Notes (on Handsworth Songs) – Reece Auguiste
The Old Well: A Womb or a Tomb? The double Perspective in Wu Tianming’s Old Well – Yuejin Wang
News From Havana: A Restructing of the Cuban Cinema – Paulo Antonio Paranagua
Remembering Claire Johnston (memorium) – Lesley Stern, Laleen Jayamanne, Helen Grace

Interviews
Tolomush Okeev (Soviet Union) – Miriam Rosen
Black Audio Collective (UK) – Jim Pines and Paul Gilroy

36:1989

Questions of Third Cinema
Conference papers presented at ‘Theory and Politics of Location Symposium’
Introduction – John Akomfrah
About Locating Ourselves and Our Representation – Coco Fusco
Choosing the Margin of the Space of Radical Openness – bell hooks
Introduction – Stuart Hall
Image in the Heart – Laleen Jayamanne
The Politics of Location: Cinema/Theory/Literature/ Ethnicity/Sexuality/Me – Michelle Wallace
Cultural Identity and Cinematic Representation – Stuart Hall

Interviews
Ousmane Sembene (Senegal) – Kwate Nee Owoo
Tadao Sato (Japan) – Shinko Suga

37:1989

African Cinema Today – Manthia Diawara
The Crisis and Cultural Practice – Robert Crusz
Pioneers: Women Filmmakers in Latin America – Paulo Antonio Paranagua

Focus on Sri Lankan Cinema
The History of Sinhala Cinema – Edwin Ariyadasa
Cinema and the State – Ashley Ratnavibhushana
The Context of Tamil Film Production in Sri Lanka – Kavaloor Rajadurai
Cinema in Cultural and Politcal Debates in Sri Lanka – Jayadeva Uyangoda
Sri Lankan Tamil Films – KS Sivakumaran
Women in Sri Lankan Cinema – Sunila Abeysekera
Capturing Reality: The ‘Alternative’ Cinema of Dharmasena Pathiraja – Piyal Somaratna
Anoja Weerasinghe: The Star and the Actress – Framework
Sri Lankan Cinema: The Present and Future Scenario – A.J. Gunawardana

Interview
Tissa Abayesekera (Sri Lanka) – T Chandana-Silva
Swarna Mallawarachchi (Sri Lanka) – Framework

38/39:1992

Language of Terrorism – Laura U Marks
France’s Bureau of Cinema: Financial and Technical Assitance between 1961 and 1971—Operations and Implications for African Cinema – Claire Andrade-Watkins
Black Skin, Black Masks – Alok Rai
Love Me Tender, Love Me True, Never Let Me Go... a Sri Lankan Reading of Tracey Moffat’s Night Cries – Laleen Jayamanne
Aravindan (1935-1991) (obituary) – Satti Khanna
Letter from Cuba to an Unfaithful Europe: The Political Position of Cuban Cinema – Paulo Antonio Paranagua
The Caribbean Film and Video Federation: A Report– June I Givanni
Striptease East and West: Sexual Representation in Documentary Film – Liz Kotz

Conference:
Questions of Third Cinema — ‘Theory and Politics of Location Symposium’
Introduction – John Akomfrah
About Locating Ourselves and Our Representation – Coco Fusco
Choosing the Margin of the Space of Radical Openness – bell hooks
Introduction – Stuart Hall
Image in the Heart – Laleen Jayamanne
The Politics of Location: Cinema/Theory/Literature/ Ethnicity/Sexuality/Me – Michelle Wallace
Cultural Identity and Cinematic Representation – Stuart Hall

Interviews
Henri Alekan and Amos Gitai – Stéphane Levine
Lino Brocka (Phillipines) – Hamid Naficy
Anand Patwardhan (India) – Robert Crusz and Priyath Liyanage

40:1999

Changing Representations of the Penis in the 70s and 90s – Peter Lehman and Susan Hunt
Kung Fu from Bruce Lee to Jet Li – Leon Hunt
School of Sound 1998 – John Ellis
Michel Chion – Larry Sider
Silence of the Loudspeakers – Michel Chion

Archeology: Dossier on Manny Farber
Badlands, Mean Streets, Wind and the Lion, Nashville – Manny Farber
Venice Film Festival – Manny Farber and Patricia Patterson
Manny Farber – Noel King
Manny Farber: Cinema’s Painter-Critic – Jean-Pierre Gorin, Oliver Ossayas, S Le Péron, S Toubiana
Critics Going Everywhere – Donald Phelps
Impressions of Manny Farber – Adrian Martin

Interview
Malcom Ferris (UK) – Jane Prophet

41:1999

The X Files, Paranoia and Conspiracy: from the 70s to 90s – Douglas Kellner
Assembly, Marketing and Reception of Bram Stoker’s Dracula – Thomas Austin
Expanding Universe: from the Ethnic Food Store to Blockbusters – Dina Iordanova
Fashion Notes – Peter Wollen
Invisible Fashions – Ackbar Abbas
‘Gives Good Face’: Mr John and Power of Hats in Film – Drake Stutesman

Interviews
Ellen Seiter and Susan Davies in conversation
Barbara Orton – John Dovey
Zandra Rhodes – Geraldine Howell