FRAMEWORK 46.1 (Spring 2005)

FRAMEWORK - 46.1
Contents

Sally Shafto Myth and Narration in Godard’s Hélas pour moi

Scott MacDonald  Collection/Recollection: An Interview with Matthias Müller

Dossier on Cinephilia and Women’s Cinema in the 1920s:

           Rosanna Maule and Catherine Russell  Another Cinephilia: Women’s Cinema
            in the  1920s

            Paula Amad Objects Become Witnesses: Ève Francis and the Emergence of
            French Cinephilia and Criticism

            Amelie Hastie Historical Predictions, Contemporary Predilections: Reading
            Feminist Theory Close Up

            Haidee Wasson Mobilizing the Museum: Film at the Metropolitan
            Museum of Art in the 1920s

            Jennifer Wild An Artist’s Hands: Stella Simon, Modernist Synthesis, and
            Narrative Resistance

            Tom Gunning Light, Motion, Cinema!: The Heritage of Loïe Fuller and
            Germaine Dulac